Portrait of Author Pearl S. Buck. New York, 1948, printed 2017

Buck won the Nobel Prize in Literature in 1938 for “notable works which pave the way to a human sympathy passing over widely separated racial boundaries and for the studies of human ideals which are a great and living art.”

$900 unframed; framed: $1,300

Portrait of Novelist Stefan Zweig. London, 1938, printed 2017

Like Einstein and Freud, Sternberger had known Zweig from before the war. The Austrian novelist and playwright was among the most popular writers in the world in the 1920s and 1930s. His work was recently the basis for the Wes Anderson film, The Grand Budapest Hotel.

$900 unframed; framed: $1,300

Portrait of Sigmund Freud. London, 1938, printed 2017

Sternberger and Freud had known each other for years before they fled Europe with the rise of Nazism. Though Freud was terminally ill and at first hesitant about receiving visitors in 1938, the neurologist and founder of psychoanalysis said it “makes me feel good to see old-familiar faces again” when Sternberger arrived. This is said to have been Freud’s last portrait session before his death in 1939.

$900 unframed; framed: $1,300

Portrait of George Bernard Shaw examining stamps. London, 1938, printed 2017

In this portrait Shaw examines the stamps which Sternberger had designed for the Belgian Royal Family, featuring the Royal children. Shaw was a philatelist, and the offer of the stamps was part of Sternberger’s method to gain access to Shaw.

$900 unframed; framed: $1,300

Portrait of Albert Einstein. Princeton, New Jersey, 1950, printed 2017

In this portrait Sternberger shows Einstein dressed informally. Einstein was keenly aware of his public image, and often attempted to show a cheerful visage. The common backgrounds of the two men helped the photographer to put Einstein in a relaxed state and to capture him in a more vulnerable pose.

$1,250

The Psychological Portrait: Marcel Sternberger’s Revelations in Photography. Foreword by Phillip Prodger.. New York: Skira Rizzoli, 2016

First edition, one of 100 copies of the Deluxe Estate Edition, signed and numbered by the author and accompanied by your choice of one of four 8 x 10 inch archival pigment photographs (Einstein, Freud, Shaw, or Kahlo).

$165

A Vanished World. New York: Farrar, Straus and Giroux, 1983

First edition. Signed and inscribed by Roman Vishniac: “It should not happen again Roman [and] Edith Vishniac 1985.”

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Dancers and Musicians in Siam. Siam, 1865

This splendid photograph shows costumed dancers and musicians posed in the middle of a performance. The hands of the two dancers at the center are about to meet in a clap, and the drummer raises a stick to strike his drum. A thatched roof building and palms are in the background.

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An important collection of 40 mammoth-plate photographs of the American West, created for the 1876 Centennial Exposition in Philadelphia. Watkins, c. 1863-74.

Carleton Watkins exhibited these very photographs at the 1876 Philadelphia Centennial Exposition, the first world’s fair in America.  Watkins is the greatest of the first generation of photographers of the American West. His early photographs of Yosemite and Utah have never been surpassed. When his work was exhibited back East, the New York Times declared, “As specimens of the photographic art they are unequaled. The views are … indescribably unique and beautiful. Nothing in the way of landscapes can be more impressive.”

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