An enormous run of Goodspeed’s rare book and manuscript catalogues. Vols. 1-370 and 381-575. Boston: Goodspeed's Book Shop, 1899-1973

Founded in 1898, Goodspeed’s published its first catalogue in 1899. For decades to come the firm would be a dominant force in American bookselling. These catalogues are a witness to that golden age.

$6,500

Leaves of Grass: the original printed paper wrappers. [Brooklyn], [1855]

Although the green cloth bindings for the 1855 first edition of Leaves of Grass are familiar, the rare paper wrappers are little known. This set survived only because Whitman preserved them until his death in 1892.

$5,500

Original drawing of Walt Whitman. no date, no place, 19th century

This original pen and ink drawing of Walt Whitman is mounted at the front of an 1888 edition of Leaves of Grass. The likeness of a jaunty, casual, Whitman wearing his trademark slouch hat takes its cue from the famous 1855 Hollyer engraving, but here we see an older Whitman with a full beard.

$4,800

Autograph note signed to John H. Johnston. Camden, March 7, 1887

Whitman writes to his good friend and benefactor John H. Johnston, the New York jeweler, evidently congratulating him on the birth of his child: “Bless the dear baby, & all babies – Love to you & wife, Walt Whitman.”

$4,800

Hyperion: A Romance. New York: Samuel Colman, 1839

Hyperion is one of Henry Wadsworth Longfellow’s first published works. It was published in 1839, and is a prose romance that follows a young American named Paul Flemming as he travels through Germany. The journey of the character is partially inspired by the death of a friend, and the romance in the tale is based on Longfellow’s own failed marriage proposals to his beloved.

$3,500

Works. Chapman and Hall, [1870s]

A very handsome set of the famous “Illustrated Library Edition,” here in an early printing. The dedication at the front of the first volume (Pickwick Papers) states, “This the best edition of my books is, of right, inscribed to my dear friend John Forster, biographer of Oliver Goldsmith, in affectionate acknowledgment of his counsel, sympathy, and faithful friendship during my whole literary life.” “The Library Edition came about largely because of the suggestion of Forster that while Dickens’s works were available in volumes in the Cheap Edition and in reprints of the serial parts, there was no high-quality edition that would appeal to the wealthy. Dickens eventually came round to the idea that an elegant edition could raise the stature of his writings.

$3,500

The Naked and the Dead. New York and Toronto: Rinehart, 1948

First edition of Norman Mailer’s landmark first novel. This is the first printing, with the Rinehart colophon on copyright page, and in the first issue dust jacket without reviews on rear flap.

$3,500

Artemis to Actaeon and other verse. New York: Scribner’s, 1909

FIRST EDITION of Wharton’s second book of poetry. Presentation copy inscribed by Wharton to Frances E. Thayer, her friend and typist: “F. E. Thayer from E. W.”

$3,500

Washington Irving. Mr. Bryant’s address on his life and genius. Addresses by Everett, Bancroft, Longfellow, Felton, Aspinwall, King, Francis, Greene. Mr. Allibone’s sketch of his life and works. With eight photographs. New York: Putnam, 1860

First edition. Presentation copy inscribed by the published to S. Austin Allibone, who contributed the sketch of Irving’s life and works. Allibone ewas a leading American editor, author, and bibliographer who is best known for his Critical Dictionary of English Literature and British and American Authors. Other contributors include Longfellow, Bryant, Everett, and Bancroft.

$2,500

Carving a Statue. A play in two acts. London: Dr. Jan Van Loewen Ltd, printed by Franell Enterprises, [c. 1964]

This is a rare original script for Graham Greene’s play Carving a Statue which opened on September 17, 1964 at the Theatre Royal Haymarket. The production, directed by Peter Wood and starring Ralph Richardson, closed after a month. Greene blamed Richardson’s “humourless” interpretation of the main character for the play’s failure.

$2,200